not that i don’t like Kool AD, but these mixtapes are pretty much potlock goofing around with a studio and a bag of weed.

No, Lil B was based before Kool A.D., Lil B was making waves before Pizza Hut and Taco Bell.

Nullus, I love Das Racist, and Nehru Jackets is one of my favorite projects last year.

but you cannot really tell me with a straight face that these two tapes holds a candle to Sit Down, Man.

It lacks a sense of well drive. And Kool AD style may be layback, but 19 was basically like mediocre random Charles Hamilton mixtape. (by the way, you guys should peep his new tapes As A Mogul and As A Street Rat; both worth looking at ).

63, was more grounded. 19, really just was not that good. The satirical undertones have become degenerative, which is not a bad thing. However, Kool A.D. satirizing himself is obviously intentional, which probably has some nuances that are set up to be funny.

He is trying to make rap music to laugh to. I love that. I love Riff Raff, Lil B, Metro Zu… I just think that 19 and 63 were lukewarm to misses, sort of like Eminem’s Encore.

The guest verses were good, I give it that. But I found the guess verses also were much better than Kool’s verses.

On 51, manny pacquiao was a dope song and Kool A.D. actually showed some smoothness in flow. one year later, Kool A.D. is a solo artist, but these tapes will still make me miss Das Racist.

Good Cuts: Beautiful Naked Psychedelic Gherkin Exploding Tomato Sauce All Over UR Face, Flame Grilled Painting; Scelra, Red Wine.

I know that many of people on this site are going to be displeased with my critique. however, these tapes were pretty much like later Police Academy sequel, in my opinion.

not that i don’t like Kool AD, but these mixtapes are pretty much potlock goofing around with a studio and a bag of weed.

No, Lil B was based before Kool A.D., Lil B was making waves before Pizza Hut and Taco Bell.

Nullus, I love Das Racist, and Nehru Jackets is one of my favorite projects last year.

but you cannot really tell me with a straight face that these two tapes holds a candle to Sit Down, Man.

It lacks a sense of well drive. And Kool AD style may be layback, but 19 was basically like mediocre random Charles Hamilton mixtape. (by the way, you guys should peep his new tapes As A Mogul and As A Street Rat; both worth looking at ).

63, was more grounded. 19, really just was not that good. The satirical undertones have become degenerative, which is not a bad thing. However, Kool A.D. satirizing himself is obviously intentional, which probably has some nuances that are set up to be funny.

He is trying to make rap music to laugh to. I love that. I love Riff Raff, Lil B, Metro Zu… I just think that 19 and 63 were lukewarm to misses, sort of like Eminem’s Encore.

The guest verses were good, I give it that. But I found the guess verses also were much better than Kool’s verses.

On 51, manny pacquiao was a dope song and Kool A.D. actually showed some smoothness in flow. one year later, Kool A.D. is a solo artist, but these tapes will still make me miss Das Racist.

Good Cuts: Beautiful Naked Psychedelic Gherkin Exploding Tomato Sauce All Over UR Face, Flame Grilled Painting; Scelra, Red Wine.

I know that many of people on this site are going to be displeased with my critique. however, these tapes were pretty much like later Police Academy sequel, in my opinion.

Really?? *Skeptical….*